You can also use the nudge keys to increase the pre-delay by program dependent amounts. Then use the keypad to type in how many milliseconds of pre-delay you want, then hit the enter (#) key. For example, to change the pre-delay, hit the pre-delay button, which will illuminate. This is used to enter values for the various parameters.
A numeric keypad is located on the right of the plugin.The UAD-2 plugin features Nudge Up / Down controls which are also just like those on the hardware unit, and allow you to increase or decrease the program number or select parameters. A virtual pot that replicates the actions of the Pot control on the hardware unit allows you to adjust the Decay time, Pre-Delay and Dry/Wet key parameters - just select the button for the parameter you want to change, then rotate the pot to select the value you wish.These controls let you roll off the low and high frequencies in the same way as on the original hardware unit. You can also adjust the low and high decay filters for many programs. Input and output level controls are provided and you can adjust pre-delay and decay time, with the maximum decay and pre-delay times depending on which algorithm is selected. As with the original, a large display shows you what's going on with all parameters. The front panel controls of the plugin will look very familiar to anyone who has ever used the hardware AMS RMX16.All nine of the original factory program algorithms are here, including the much loved Ambience and NonLinear algorithms, as well as the Room, Halls, and Plate reverbs, and the Echo, Chorus and Reverse effects. The Universal Audio plugin version of the AMS Neve RMX16 uses the exact same reverb, delay and effects algorithms as the legendary hardware unit.
#Universal audio plugins for removing reverb windows 7
Computer system requirements are listed on UA's website and both Mac (OS X 10.8 / 10.9) and Windows 7 (64 bit) computers are supported on systems with UAD-2 processors (Satellite, Apollo, and PCIe cards) running UAD v.7.10 or later software.The UAD-2 plugin version of the RMX16 is fully authorized and approved by AMS Neve.Outside of the original hardware units, the AMS RMX16 is only available as a powered plugin designed to run on Universal Audio's DSP equipped UAD-2 processors and Apollo interfaces, including the new Universal Audio Apollo Twin.
In fact he says he spent almost as much time on the recreation as he did on the original. Even today, many engineers find the RMX16 to be an indispensable tool, and it is still used frequently on modern productions.ĪMS founder, Cambridge University alumni, former aerospace engineer, designer of the original RMX16 and current head of AMS Neve Mark Crabtree was directly involved with the development of Universal Audio's new plugin version of the AMS RMX16 reverb. With its groundbreaking full-bandwidth performance the RMX16 gained acceptance with musicians and engineers rather quickly and has became one of the most popular effects processors of all time it has been used on countless hit recordings and it is rare to walk into a major studio and not see one in the effects rack. In an era when large plate reverbs were still one of the primary sources for artificial reverberation in major recording studios the AMS RMX 16 represented a significant advancement in technology, requiring neither the physical space or isolation needed by a plate. In 1981 AMS released one of their most successful and enduring products - the microprocessor-controlled AMS RMX16 digital reverb. Is this plugin faithful to the legendary studio hardware reverb?įounded in 1976, Advanced Music Systems (AMS) was one of the early pioneers in the area of digital audio and effects.
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